Thursday, 30 June 2011

Los Angeles

I'm here! I'm here! And I saw my first gang-banger get arrested yesterday so I feel like a total Angeleno.

I'm getting ready to go to the gym (again, like a total Angeleno!) so I will update later about my run-ins with Alexander Skarsgard, Pauly Shore, and Jeremy or Jason London (I'm not sure which one it was and seeing if I could force him to do drugs to find out seemed unfair. Besides, as it turned out, he was telling the truth?)

Anyhoo, I've got a lot to tell you about gardening! (Did you know if you get dirt wet it turns into mud? Yuck.)

And bumpers! (They don't bump off anything... they go, "Scraaaaaaaatch!")

And there's probably more but, again, I have to go because I have to get to the gym!

Source: http://www.prettyinthecity.com/blog/2011/6/9/los-angeles.html

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Photos | Ke$ha, Britney Spears, Selena Gomez And Many More At Wango Tango 2011

Ke$ha, Britney Spears, Selena Gomez And Many More At Wango Tango 2011

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Beyonce Premieres 'Best Thing I Never Had'

Breakup tune, penned by B and Babyface, serves as second single off singer's new album, 4.
By James Dinh


Beyoncé
Photo: Getty

With "Me, Myself and I," "Irreplaceable" and even "If I Were a Boy," Beyoncé has proven that she excels at delivering top-notch pop&B, need-you-no-more-type jams. Her new single, "Best Thing I Never Had," which she co-wrote with Babyface and released on Wednesday morning (June 1), is just the latest entry in that category.

Following the eccentric dance sounds of her lead single "Run the World (Girls)," Bey takes things down a notch on this midtempo cut off her new album, 4. Reminiscent of her 2006 hit "Irreplaceable," the song has the pop star taking aim at a former lover, admitting that she no longer desires him after discovering his deceitful ways.

"I wanted you bad/ I'm so through with it/ Cuz honestly you turned out to be the best thing I never had/ You turned out to be the best thing I never had/ And I'm gon' always be the best thing you never had/ I bet it sucks to be you right now," she confidently sings on the chorus.

With its radio-friendly appeal and catchy chorus, "Best Thing I Never Had" sounds not unlike a song you'd hear during a Broadway musical. That may be because, as Beyoncé has revealed, she collaborated with the band from "Fela!" for "a couple of days" to gain inspiration from the play's subject, Nigerian musician Fela Kuti.

On the single artwork for "Best Thing I Never Had," a platinum-blond Beyoncé strikes a pose in a small bathroom. Sporting a tight-fitting dress, the pop star holds red lipstick up to a mirror after writing "King B" on it.

In addition to Babyface, it seems that the pop superstar has also collaborated recently with OneRepublic. "Just finished mix on Beyoncé song — last one to make her album, once again she blew me away vocally, this is sumthin different — hope ya like!" the band tweeted on Tuesday.

What do you think of "Best Thing I Never Had"? Share your reviews below!

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Source: http://www.mtv.com/news/articles/1664883/beyonce-premieres-best-thing-i-never-had.jhtml

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Movie Review: ?Bad Teacher?

Last night, against my personal wishes, I went to a showing of Bad Teacher with Darion, Josh and David and, I’m actually surprised to say, it was actually a pretty fun night. Bad Teacher is nowhere near the best movie of the year and, to be honest, I wouldn’t even call it a great movie [...]

Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/S8Szy_oZHZc/

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January Jones Goes Jewelry Shopping

‘Mad Men’ and ‘X-Men: First Class’ star January Jones was spotted doing some jewelry shopping. I wonder if she’s treating herself to a piece or buying a gift? Pregnancy really raises some celebrities’ profiles, doesn’t it? I’m not suggesting any … Continue reading

Source: http://www.imnotobsessed.com/2011/06/30/january-jones-goes-jewelry-shopping/

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Rival Sons: BeatCrave Fav

Apparently, the unspoken creed of Rival Sons is that if it isn’t loud and in your face, then it isn’t worth your time. We’d like to agree. The Los Angeles-based band has built quite a following on said ‘belief system’, if we can call it that, because at the very least it is something they [...]

Source: http://feedproxy.google.com/~r/beatcrave/~3/Ky8QVfE7QyQ/

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Beyonc� - Video Phone (Extended Remix)

Video Phone (Extended Remix)

Source: http://www.mtv.com/overdrive/?artist=1236911&vid=455581

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Julia Roberts Top 11 Movies

See the Oscar-winning Larry Crowne star's finest moments on film -- from Mystic Pizza to Eat Pray Love

Source: http://www.ivillage.com/julia-roberts-top-11-movies/1-b-217520

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Photos | 2009 American Music Award Nominees

2009 American Music Award Nominees

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Rosie Huntington-Whiteley Thought She Bombed 'Transformers' Audition

'Dark of the Moon' director Michael Bay called and said, 'You're the girl,' the first-time actress tells MTV News.
By Kara Warner, with reporting by Josh Horowitz


Rosie Huntington-Whiteley in "Transformers: Dark of the Moon"
Photo: Paramount Pictures

One of the many intriguing stories to emerge from the production and release of "Transformers: Dark of the Moon" is the casting of new leading lady and first-time actress Rosie Huntington-Whiteley. In addition to making headlines for replacing Megan Fox as the new "Transformers" "It" girl, the fact that Whiteley comes to Hollywood from the equally glamorous world of modeling has only added to her appeal.

The Victoria's Secret model's acting abilities have already been touted and praised by her co-stars, Shia LaBeouf and Tyrese Gibson, but when MTV News caught up with the newbie, we asked her about the intensity of the audition process.

"I went to the audition and really I knew nothing about the role," Whiteley said. "No one had said anything; it was just a role in 'Transformers,' so I kind of thought it would be an extra part or a cameo or something. I went in a bit blind and also, it was my first-ever audition. I went in completely not knowing what I was doing. I left feeling not confident."

Whiteley didn't have long to wallow in her uncertainty, because a couple days after that audition, director Michael Bay phoned her directly. "He was like, 'Yeah, you're the girl,' " she recalled.

Before landing the big-screen role, Whiteley had dabbled in some amateur acting via school plays and a short film for lingerie company Agent Provocateur, but "Dark of the Moon" was definitely her first real gig.

So has she been bitten by the acting bug?

"Yeah, I've been so lucky because doing this film, I got to try a little bit of everything," she said. "There's something for everyone in it: There's the romance, the comedy, the drama, the action, there's the special effects."

But as to whether we'll see her back on the big screen soon, Whiteley wasn't so sure. "I'm really hoping to do another movie," she said. "I'm working toward that, although I very much hope to stay in the fashion industry; it's my first love. We'll see what happens. I've got no idea."

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Source: http://www.mtv.com/news/articles/1666422/transformers-dark-of-the-moon-rosie-huntington-whiteley.jhtml

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Justin Bieber 'Rooting For Drake' At BET Awards

But pop star stays mum on what he has in store for fans during Sunday's show, airing live on BET at 8 p.m. ET.
By Jocelyn Vena


Justin Bieber
Photo: Jamie McCarthy/ Getty Images

Justin Bieber isn't nominated in any of the categories at this Sunday's 2011 BET Awards, but that isn't stopping the teen superstar from making an appearance. With so many of his pals up for prizes at the show, it's anyone's guess what the Biebs might do come awards day, and he's keeping it a surprise.

"You never know. I will never tell you, ever, even if there was a fire right now," the singer joked to MTV News on Thursday at a New York City event for his fragrance, Someday. "I wouldn't tell you. I can't tell you [or I'd] have to kill you."

Usher, Chris Brown, Drake, former crush Beyoncé and Kanye West are among the performers nominated this year and they're also pals of Bieber's. And while he's excited for all of them, Justin said he's rooting hardest for his countryman. "I'm rooting for Drake," he said of his fellow Canadian. "Drake is my homey."

Brown has six nods, Lil Wayne has five, and Kanye West, Drake and Rihanna each have four. The Video of the Year category has a surprising mix of contenders, including Willow Smith for "Whip My Hair," Marsha Ambrosius' "Far Away," B.o.B's "Airplanes," Brown's "Look at Me Now," Hilson's "Pretty Girl Rock" and West's "Runaway."

In addition to the big-name nominees, among the A-list performers slated to take the stage at Los Angeles' Shrine Auditorium are Beyoncé, Jill Scott, Alicia Keys, Lil Wayne, Drake and Brown. Nicki Minaj and Bruno Mars have also been added to the show's lineup.

The 2011 BET Awards, hosted by comedian Kevin Hart, air live on Sunday, June 26, at 8 p.m. ET on BET.

What do you think Bieber will do at the awards show? Tell us in the comments!

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Source: http://www.mtv.com/news/articles/1666381/justin-bieber-drake-bet-awards.jhtml

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Photos | The 2011 BET Awards Red Carpet

The 2011 BET Awards Red Carpet

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Wednesday, 29 June 2011

Britney Spears Says She'd Love To Tour With Usher

In her 'Britney Spears: I Am the Femme Fatale' special, she calls the 'OMG' singer 'really hot right now.'
By Jocelyn Vena, with reporting by Sway Calloway


Sway Calloway and Britney Spears
Photo: MTV News & Docs

What do Britney Spears and Usher have in common? Well, they are both global superstars with a back catalogue of tunes that have kept fans dancing for a really long time and they both recently hooked up with will.i.am for tracks on their latest releases (the Black Eyed Peas mastermind worked on the pop vixen's Femme Fatale tune "Big Fat Bass"). And, if Spears has her way, she and the "OMG" singer could be hitting the road together.

When Spears sat down to talk with Sway Calloway for her "Britney Spears: I Am the Femme Fatale" special — airing Sunday (April 3) at 9 p.m. ET on MTV — the singer revealed that Usher is first on her list of artists she'd like to join her on tour.

"Oh, I'm so excited. I'm really excited about going on tour, very," she explained about her forthcoming summer trek, which happens to have a spot open on the bill now that Enrique Iglesias has pulled out of the gig. "I think Usher's really great right now. I think he's really hot right now. That would be cool [to tour with him]."

The North American road trip is expected to kick off June 17 in Sacramento, California, and will run for 26 dates, winding up on August 13 in Toronto. More details will be announced soon.

The "Britney Spears: I Am the Femme Fatale" special is a mixture of behind-the-scenes footage of the singer as she wraps up production on her album, which dropped this week, as well as an inside look at her life and fans. In addition, those who couldn't make Spears' recent nightclub show in Las Vegas will get to see her as she takes the stage in her latest pop incarnation.

Don't miss "Britney Spears: I Am the Femme Fatale," airing Sunday (April 3) at 9 p.m. ET on MTV.

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Source: http://www.mtv.com/news/articles/1661036/britney-spears-tour.jhtml

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'Transformers' Reviews: How Do The Three Movies Stack Up?

Third installment of the Shia LaBeouf-starring 'Bot franchise is getting the best notices yet.
By Eric Ditzian


Sentinel Prime in "Transformers: Dark of the Moon"
Photo: Paramount Pictures

We've now seen "Transformers: Dark of the Moon" — during a raucous pre-release IMAX screening that left our ears ringing and our senses tingling — and can vouch for the consensus critical opinion surrounding the summer blockbuster: It's the finest film in the franchise.

That's the overall take. But how do the three films — including the 2007 original and 2009's "Revenge of the Fallen" — stack up when you're gauging various cinematic elements? To get to the bottom of that question, we have to dive back into the historical record.

The Story
"T1": "The screenwriters, Alex Kurtzmann and Robert Orci, don't bother to explain as they go along; they just pile up the bang-crash action sequences and, when things get too confusing, screech to a halt for some plodding explanatory dialogue." — Dana Stevens, Slate

"T2": "There is much absurd backstory and crammed-in explanation for what is going on and despite much of it being voiced by the thunderous Peter Cullen ... it still gets annoying." — Jordan Hoffman, UGO

"T3": "Writer Ehren Kruger ... had script duties all to himself, and he has fashioned a narrative of ornate silliness — which is to say, pretty good pulpy fun." — Kurt Loder, Reason

The Visuals
"T1": "The visuals are the real stars here. Though they grow repetitive, the robots' transforming scenes — joints bending, appendages stretching, gears whirling — are too cool to ever become boring." — David Germain, The Associated Press

"T2": "The battle scenes are bewildering. A Bot makes no visual sense anyway, but two or three tangled up together create an incomprehensible confusion." — Roger Ebert, Chicago Sun-Times

"T3": "By showing a measure of restraint and using 3-D to excellent effect, Bay finally enables the Transformers to emerge as players in their own right, with hopes and dreams, declaiming their philosophies of fate, humankind and the universe in grand Shakespearean style." — Betsy Sharkey, Los Angeles Times

The Performances
"T1": "LaBeouf has the hefty job of single-handedly injecting the action with personality, and he brings it off, though without offering much variation on his nervous, hipster-squirt charm." — Owen Gleiberman, Entertainment Weekly

"T2": "Shia LaBeouf and Megan Fox, who are definitely the stars as far as how much of the movie they're in compared to anyone else, both throw themselves into the physical demands of the film with admirable zeal, which is good, since there's nothing else to the roles." — Drew McWeeny, HitFix

"T3": "LaBeouf is highly physical and crowd-pleasingly jerky as the little man and the franchise's centerpiece, Sam Witwicky. If all Tom Cruise consumed were juice boxes of Red Bull, LaBoeuf is who he'd be." — Wesley Morris, Boston Globe

The Bottom Line
"T1": "We knew it would be dumb. But we had no idea it would be so much dumb fun." — Roger Moore, Orlando Sentinal

"T2": "[Though] it has plenty of popcorn moments that can be big, dumb fun (alien secrets under a pyramid, sexy girls who sprout mechanical tails at the worst moments), director Michael Bay's sequel is louder and more illogical than the megasuccessful 2007 original." — Joe Neumaier, New York Daily News

"T3": "'Dark of the Moon' is hardly a fleet production, but here Bay makes his best, most flexible use yet of all the flamboyant bigness at his command: computer-drawn characters and human actors seem to occupy the same narrative for once." — Lisa Schwarzbaum, Entertainment Weekly

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Source: http://www.mtv.com/news/articles/1666614/transformers-dark-moon.jhtml

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Julia Roberts Top 11 Movies

See the Oscar-winning Larry Crowne star's finest moments on film -- from Mystic Pizza to Eat Pray Love

Source: http://www.ivillage.com/julia-roberts-top-11-movies/1-b-217520

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'Transformers' Reviews: How Do The Three Movies Stack Up?

Third installment of the Shia LaBeouf-starring 'Bot franchise is getting the best notices yet.
By Eric Ditzian


Sentinel Prime in "Transformers: Dark of the Moon"
Photo: Paramount Pictures

We've now seen "Transformers: Dark of the Moon" — during a raucous pre-release IMAX screening that left our ears ringing and our senses tingling — and can vouch for the consensus critical opinion surrounding the summer blockbuster: It's the finest film in the franchise.

That's the overall take. But how do the three films — including the 2007 original and 2009's "Revenge of the Fallen" — stack up when you're gauging various cinematic elements? To get to the bottom of that question, we have to dive back into the historical record.

The Story
"T1": "The screenwriters, Alex Kurtzmann and Robert Orci, don't bother to explain as they go along; they just pile up the bang-crash action sequences and, when things get too confusing, screech to a halt for some plodding explanatory dialogue." — Dana Stevens, Slate

"T2": "There is much absurd backstory and crammed-in explanation for what is going on and despite much of it being voiced by the thunderous Peter Cullen ... it still gets annoying." — Jordan Hoffman, UGO

"T3": "Writer Ehren Kruger ... had script duties all to himself, and he has fashioned a narrative of ornate silliness — which is to say, pretty good pulpy fun." — Kurt Loder, Reason

The Visuals
"T1": "The visuals are the real stars here. Though they grow repetitive, the robots' transforming scenes — joints bending, appendages stretching, gears whirling — are too cool to ever become boring." — David Germain, The Associated Press

"T2": "The battle scenes are bewildering. A Bot makes no visual sense anyway, but two or three tangled up together create an incomprehensible confusion." — Roger Ebert, Chicago Sun-Times

"T3": "By showing a measure of restraint and using 3-D to excellent effect, Bay finally enables the Transformers to emerge as players in their own right, with hopes and dreams, declaiming their philosophies of fate, humankind and the universe in grand Shakespearean style." — Betsy Sharkey, Los Angeles Times

The Performances
"T1": "LaBeouf has the hefty job of single-handedly injecting the action with personality, and he brings it off, though without offering much variation on his nervous, hipster-squirt charm." — Owen Gleiberman, Entertainment Weekly

"T2": "Shia LaBeouf and Megan Fox, who are definitely the stars as far as how much of the movie they're in compared to anyone else, both throw themselves into the physical demands of the film with admirable zeal, which is good, since there's nothing else to the roles." — Drew McWeeny, HitFix

"T3": "LaBeouf is highly physical and crowd-pleasingly jerky as the little man and the franchise's centerpiece, Sam Witwicky. If all Tom Cruise consumed were juice boxes of Red Bull, LaBoeuf is who he'd be." — Wesley Morris, Boston Globe

The Bottom Line
"T1": "We knew it would be dumb. But we had no idea it would be so much dumb fun." — Roger Moore, Orlando Sentinal

"T2": "[Though] it has plenty of popcorn moments that can be big, dumb fun (alien secrets under a pyramid, sexy girls who sprout mechanical tails at the worst moments), director Michael Bay's sequel is louder and more illogical than the megasuccessful 2007 original." — Joe Neumaier, New York Daily News

"T3": "'Dark of the Moon' is hardly a fleet production, but here Bay makes his best, most flexible use yet of all the flamboyant bigness at his command: computer-drawn characters and human actors seem to occupy the same narrative for once." — Lisa Schwarzbaum, Entertainment Weekly

Check out everything we've got on "Transformers: Dark of the Moon."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Source: http://www.mtv.com/news/articles/1666614/transformers-dark-moon.jhtml

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Photos | Ke$ha Exclusive Photos | MTV Style

Ke$ha Exclusive Photos | MTV Style

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Pet Tags

Man, I'm so irritated.

I just received four pets tags that I ordered for Bev and Mary Margaret (two for Brooklyn and two for LA) and they're all messed up. Not only did they leave off the "Margaret" on Mary Margaret's tags, but the text isn't centered correctly and runs off the right side on all four of them. (The last letter of the address is cut in half.) The tags themselves are also ugly. The edges aren't smoothed out... they look like someone just cut them from a piece of sheet metal and called it a day.

So anyway, I got them this morning on my way to Starbucks (yesterday's mail), so while I was there, I started drafting a strongly-worded letter in my head, like what I was going to say to these people when I sent them back.

And then I saw it.

In tiny print on the bottom of the invoice it said, "Our handicapped employees appreciate your order."

So now I can't send them back. If I did I'd be a total asshole.

I'm just going to order new ones from someplace else. Any recommendations?

Source: http://www.prettyinthecity.com/blog/2011/5/8/pet-tags.html

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Britney Spears Meets With The ?Hold It Against Me? Marines

Back in April we got to see an amazingly fun video of a group of US Military marines stationed in Afghanistan performing their version of Britney Spears‘s single Hold It Against Me. In May we learned that Britney made plans to meet with these marines here at home in the US to personally thank them [...]

Source: http://feedproxy.google.com/~r/pinkisthenewblog/~3/yV8YfbiS1Ag/

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Photos | "Michael Jackson's This Is It"

"Michael Jackson's This Is It"

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The ?Jersey Shore? Girls Take A Romantic Stroll On The Boardwalk

Snooki and J-Woww are back in the states and reunited with their beaus.� The girls were spotted taking a romantic stroll on the boardwalk with Roger Matthews and Jionni La Valle this morning.� The cast is back in Seaside to … Continue reading

Source: http://www.imnotobsessed.com/2011/06/28/the-jersey-shore-girls-take-a-romantic-stroll-on-the-boardwalk/

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Adele Reschedules North American Tour Dates

The Adele roadshow continues. Now that the British soul singer has whipped her bout with laryngitis, her North American tour that was put on the shelf due to illness is up and rolling once more. Adele has rescheduled 14 shows, and added six more to the itinerary. Her next appearance will be on Aug. 9 [...]

Source: http://feedproxy.google.com/~r/beatcrave/~3/hRDOv2w0c1U/

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Photos | Lady Gaga's Leading Men

Lady Gaga's Leading Men

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Tuesday, 28 June 2011

Daniel Radcliffe Dedicates Trevor Project Hero Award To 'Real Heroes'

'Harry Potter' star earns honor for being an inspiration to LGBT youth.
By John Mitchell, with reporting by Tami Katzoff


Daniel Radcliffe attends the Trevor Project benefit in New York on Monday
Photo: Stephen Lovekin/Getty Images

Daniel Radcliffe took a break from his successful turn in Broadway's "How to Succeed in Business Without Really Trying" and the press tour for the final "Harry Potter" film to accept the Trevor Project's Hero Award at Monday night's Trevor LIVE gala in New York.

"The fact that I'm able to help with something like this makes me very, very proud," Radcliffe told MTV News at the event. "It's a huge honor, and it's lovely of them to give it to me. I'll say it again later, but the real heroes are the people who are staffing those call centers and picking up the phones saving lives every single day."

The Trevor Project Hero Award recognizes individuals who serve as an inspiration to lesbian, gay, bisexual, transgender and questioning youth. Previous recipients of the prize include Nathan Lane, Vanessa Williams and Oscar-winning screenwriter Dustin Lance Black ("Milk").

Founded by the filmmakers of the Oscar-winning 1994 short film "Trevor," the Trevor Project is a nonprofit organization that offers support to sexual minority youth. The group's 24-hour suicide prevention hotline, available at (866) 4-U-TREVOR (488-7386), offers those experiencing emotional difficulty dealing with their sexuality someone to talk to and endeavors to foster safe and inclusive environments in homes and schools.

"It's incredibly important because all over the country there are many young people who are going through incredibly difficult times coming out or accepting who they are or coming to terms with who they are," Radcliffe said of the Trevor Project. "And it's wonderful that compassionate, brave people work at the Trevor Project and are ready to take calls 24 hours a day to help those people."

Radcliffe has been involved with the Trevor Project since 2009, appearing in public service announcements for the group's prevention hotline and speaking out in support of LGBT youth. Radcliffe has called his work with the Trevor Project "one of the most important, if not the most important, thing that I'm associated with."

Last year, the actor told MTV News that supporting gay rights is "something I've always been quite passionate about ... and now I am in a position where I can help an amazing thing like the Trevor Project."

Asked about the recent passage of marriage-equality legislation in New York, Radcliffe said, "The more widespread equality is the more young people growing up [who can] look to an older generation and see gay men getting married and having families, the more it just looks like a normal part of life.

"The more it becomes something run-of-the mill and ordinary, in a way, the better," Radcliffe added. "Because then there's no reason they should grow up feeling that they're in any way different or that their difference should separate them from their peers."

The politically aware actor is currently promoting "Harry Potter and the Deathly Hallows, Part 2," the eighth and final "Potter" film. To honor the end of the historic film franchise, visit the MTV Movies Blog to participate in the "Harry Potter" World Cup and vote for your favorite character from the films.

Source: http://www.mtv.com/news/articles/1666553/daniel-radcliffe-trevor-project-hero-award.jhtml

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New Led Zeppelin On The Way? Jason Bonham Hints At 'Jam' Sessions With Jimmy Page -- But Not Robert Plant

Drummer admits he doesn't know what will come of 'new material.'
By Chris Harris


Jason Bonham
Photo: Larry Marano/ Getty Images

On Friday morning, mere hours before he was due to take the stage with classic rockers Foreigner at Detroit's GM Renaissance Center, drummer Jason Bonham — the son of late Led Zeppelin kitman John Bonham — told Jim Johnson and Lynne Woodison of local rock station 94.7 WCSX that he'd be an ex-member of Foreigner as of September 1. But that's not the only thing he said.

Much to the delight of Led Zeppelin fans everywhere, Bonham revealed that he's been meeting up with Led Zep guitarist Jimmy Page and bassist John Paul Jones in recent months and that they've been "trying to do some new material and writing."

It was the first time since Led Zeppelin announced they would re-form for a single performance (which happened late last year at London's O2 Arena, in honor of the late Ahmet Ertegün, who signed the band to Atlantic Records in 1969) that anyone connected to the band has confirmed publicly that new music could be on the horizon for the iconic rockers. While the bandmembers have stopped short of definitively ruling out such a reunion, singer Robert Plant insisted in the wake of last year's show that he intended to focus on promoting and touring behind his critically lauded album with bluegrass artist Alison Krauss, Raising Sand.

Not that Bonham knows what — if anything — will happen with the new material he's been working on with Page (who collaborated with pop singer Leona Lewis on an uneven version of Zep's "Whole Lotta Love" at the Olympic closing ceremonies in Beijing on Sunday night) and Jones. He said he just shows up and takes his seat behind the kit.

"I've been over [to England] a couple of times," Bonham said. "I've been working with Jimmy and John Paul and trying to do ... some new material and some writing. I don't know what it will be, but it will be something. At the moment, all I know is I have the great pleasure to go and jam with the two guys and start work on some material. When I get there, I never ask any questions. If I get a phone call to go and play, I enjoy every moment of it. Whatever it ends up as, to ever get a chance to jam with two people like that, it is a phenomenal thing for me. It's my life. It's what I've dreamed about doing."

He said it's still too early to tell what will become of these "jam" sessions, but admitted that the "possibility of doing something is in the cards. I really felt it was in the cards from the moment we walked offstage at the O2." Bonham also explained that, before there could be a Led Zep LP, "lots of politics [would need to] get ironed out," but added that recording with Zep is "something I've always wanted to do."

Bonham noticeably didn't mention frontman Plant's name during the discussion. A spokesperson for Page's management had no comment on the matter, and a spokesperson for Jones' management could not be reached by press time.

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Clarence Clemons, In Memoriam: The Big Man, In More Ways Than One

The iconic sax man for Bruce Springsteen's E Street Band (and Lady Gaga) towered over contemporary music for nearly five decades.
By James Montgomery


Clarence Clemons
Photo: Getty Images

Clarence Clemons was affectionately known as "The Big Man," probably because, well, he was a big man. Standing six-feet, four-inches tall -- and nearly just as wide -- he towered over Bruce Springsteen, the E Street Band, and whomever else he shared the stage with during his five-decade career, casting a shadow as formidable as it was striking (it's no wonder Bruce decided to lean on him, like some sort of lamppost, on the cover of 1975's Born To Run).

But his physical size only told part of the story. Because Clemons was also a massive talent, a saxophonist as adept at filing an arena with his booming solos as he was providing a rock-solid backbone to Springsteen's churning, yearning rock. He was the Big Man because everything ran through him, because he was capable of both taking the lead (like on "Jungleland") and laying back in the cut (like on "10th Avenue Freeze Out," where his presence definitely shapes the song, but at no point overshadows its other components), and because of the tones he charmed from his sax ... crisp and clear-eyed, grandiose yet gritty, big yet decidedly blue-collar (just like he was), no one played like Clarence did. And when he died on Saturday at the age of 69 after complications from a stroke he suffered last week, not only did we lose a mountain of a man, but an icon as well.

See photos of Clemons throughout his career.

Simply put, Clemons was the most prominent sax player in popular music. And as proof, I'll ask you to name any of his contemporaries. Chances are, you can't; not because they don't exist, but because they couldn't begin to approach his stature. He was the go-to guy when the stars needed a session hand (recording with the likes of Aretha Franklin and Twisted Sister, and performing live with everyone from the Grateful Dead to Ringo Starr,) and, more recently, Lady Gaga tapped him to perform on her Born This Way album -- he appears in her new "The Edge Of Glory" video, a move that no doubt introduced his sublime playing to a whole new generation of fans. Shoot, he even appeared on "The Simpsons," "The Wire" and "Bill & Ted's Excellent Adventure," where he played, fittingly enough, one of the Three Most Important People in the World.

Remember Clemons with us on Facebook.

In passing, he leaves behind a catalog that's nearly as massive as his frame: not only his notable guest appearances, but several solo albums (and records he cut with backing bands like the Temple of Soul and the Red Bank Rockers) and, of course, the myriad of albums he cut with Springsteen and the E Street Band. And it's on those recordings -- starting with 1973's Greetings From Asbury Park, N.J. and continuing right on through 2009's Working on a Dream and last year's reissue The Promise -- where Clemons not only shone the brightest, but also showcased the reason why he earned his "Big Man" nickname. Sure, he burns on songs like "Badlands" and "Born To Run," but listen to his work on songs like "Prove It All Night" and "Dancing in the Dark" (to name six dozen) ... the times where he proves to be the Bigger Man, letting his fellow bandmates get their share, too.

Rarely has there been a player so soulful and selfless ... one so secure in his own status that he was willing to let others shine. It's why Clarence Clemons will forever be known as "The Big Man," and why, even in death, he still casts a formidable shadow over popular music and popular culture. He was the sax man's sax man. To paraphrase Springsteen on "Freeze Out," not only was the change was made uptown when the Big Man joined the band, but the mould was broken, too.

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Harry Potter World Cup: George Vs. Ginny

Welcome to MTV's Harry Potter World Cup! We've selected 64 of the best "Harry Potter" characters and matched them up in a series of duels for a chance at magical glory, but it's up to YOU to decide who the greatest "Potter" character of all time is in this pool of wizards and witches. Will [...]

Source: http://moviesblog.mtv.com/2011/06/28/harry-potter-world-cup-george-ginny/

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Ian Davis: BeatCrave Fav

The other day I was listening to “In The Morning” by J. Cole featuring Drake, and I thought that the song didn’t belong in today’s music. It was old school, like Nate Dogg-type of old school. Indeed, music, or to be more specific, hop hop, is always changing (for better or worse). Today there’s a [...]

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Jennifer Garner and Ben Affleck Relationship

As the pair celebrates their six-year wedding mark on June 29, see snapshots of the Hollywood power couple's life together

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Mary J. Blige Dishes On Her 'Crazy' Led Zeppelin Covers

'I've listened to their music since I was a child,' says the R&B diva, who recorded 'Stairway to Heaven' and 'Whole Lotta Love.'
By James Montgomery, with reporting by Larry Carroll


Mary J. Blige
Photo: MTV News

You wouldn't peg Mary J Blige as the black-light-and-tapestry sort, but, as has become readily apparent in recent weeks, she absolutely loves Led Zeppelin.

In early February, reports began circulating that Blige had re-recorded Zeppelin's classic "Stairway to Heaven," working with Travis Barker, "American Idol" judge Randy Jackson and guitarist Steve Vai on the track, which is slated to appear on the international reissue of her Stronger With Each Tear album, due Monday.

But after she had recorded "Stairway," Blige continued to get the Led out, covering another Zeppelin classic — the thunderous "Whole Lotta Love" — for the album too. And when MTV News caught up with her on the Essence Black Women in Hollywood red carpet, she told us all about channeling her inner Robert Plant for the tracks, a process that came much easier than you'd probably imagine.

"I did Led Zeppelin's 'Stairway to Heaven' and 'Whole Lotta Love' — it's crazy," she said. "I am a Led Zeppelin fan. I'm not going to say I've been to their concerts, but I've listened to their music since I was a child, and it's always moved me, especially 'Stairway to Heaven,' and 'Whole Lotta Love' is just fun."

Blige also said she recorded another new song — a "club record" called "I Can't Wait" — for the re-release. And while it's only slated to hit shelves outside the U.S., she hopes her fans will get a chance to hear all the new songs pretty soon.

"I want y'all to hear it," she laughed.

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Cameron Diaz Says Playing Crappy 'Bad Teacher' Was Refreshing

Actress jokes to MTV News that her gold-digging character has absolutely 'no redeeming qualities.'
By Eric Ditzian


Cameron Diaz in "Bad Teacher"
Photo: Gemma LaMana

It's almost a Hollywood storytelling imperative: Make your main character likeable. Even if he or she starts off as the most loathsome of humans, be sure by the time the credits roll that your protagonist learns a lesson and reveals a more attractive personality.

Not so in "Bad Teacher," the June 24 comedy in which Cameron Diaz's couldn't-give-a-hoot educator — she routinely sleeps through class and lights up a joint afterward — remains largely unchanged. And it was the character's essentially static arc, Diaz told us recently, that attracted her to the movie, even if she initially thought she wanted nothing to do with it.

"The first 30 pages, I'm like, 'I am not playing this. There is no way I can play this character. There [are] no redeeming qualities to this character,' " she recalled of the script. "And by the end of it, I'm like, 'Oh my god, this is genius! There's no redeeming qualities to this character!' We got to the end of the script and we're not apologizing for anything she said. It's a very modest arc."

See, the teacher she plays, Elizabeth Halsey, begins the film with one goal in life: to put her bank account above love and marry a dude she honestly has no respect for but who can buy her a slick sports car without blinking an eye. Quickly, though, the guy ditches her, and she sets her mind to roping in a new rich boy, a substitute teacher played by Justin Timberlake.

A hefty heap of pot, some unscrupulous test-taking techniques and a whole lot of other bad behavior later, Halsey's plans pan out in a very unexpected manner. But by film's end, one thing remains hilariously the same: She's still kind of a crappy teacher.

"It's amazing that it exists in this movie because it is so rare," Diaz laughed. "I'm thrilled because it is so refreshing."

Check out everything we've got on "Bad Teacher."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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'Cars 2': The Reviews Are In!

Critics enjoy the visual ride but not much else about Pixar's latest.
By Eric Ditzian


Lightning McQueen (voiced by Owen Wilson) and Mater (voiced by Larry the Cable Guy) in "Cars 2"
Photo: Disney

Animated films, much like the big-screen work of Adam Sandler, are so often review-proof. "Hop" didn't give a hoot that critics eviscerated the Easter Bunny tale, opening to $37.5 million domestically on its way to a $176.8 million worldwide total. And hey, "Grown Ups" and "Just Go With It" were two of the most savagely critiqued comedies in recent memory, yet each one deposited a couple hundred million dollars in Sandler's already astonishing box-office pot of gold.

So does it really matter that critics have flagged "Cars 2," Pixar's latest offering and its first sequel outside the "Toy Story" franchise, for a dizzying array of cinematic violations? Nope. The CGI flick is poised to race away with around $65 million this weekend. Kids, and the parents who hold their hands on the way to the theater, will be leading the charge. And they won't care at all that reviewers have harrumphed at the convoluted storytelling, because they'll be too busy gawking at what even critics admit are top-notch visuals.

But if you're old enough to read this, perhaps you might care. And thus we present a deep dive into the "Cars 2" reviews:

The Story
"Who decided to make Larry the Cable Guy the star? I don't know, but his Mater, the dopey, good-hearted tow truck from the first 'Cars,' is the focus of the sequel, which is sort of like basing a fourth 'Toy Story' on Slinky Dog. The star of 'Witless Protection,' among other delights, can only carry a film so far. This time out, Lightning McQueen (Owen Wilson) is goaded, with Mater's help, into entering the World Grand Prix to face the cocky Francesco Bernoulli (John Turturro). ... Mater somehow gets himself involved in international espionage. Someone is trying to sabotage the Grand Prix, and spies Finn McMissle (Michael Caine) and Holley Shiftwell (Emily Mortimer) are trying to figure out who and why. Mistaking Mater for a fellow spy — the idiot act is flawless, Finn tells him — Mater is soon wearing disguises and working undercover, haplessly bumbling his way to success." — Bill Goodykoontz, Arizona Republic

The Storytelling
" 'Cars 2' plays out like two scripts that have been stapled together. Scenes from one script alternate with scenes from the other, and there are separate batches of characters in the U.S., Italy and England, most of whom don't have much to do (every movie could use more of Bonnie Hunt, who voices Lightning's girlfriend, but that's especially true of this movie). The testing of the Mater/Lightning friendship has charm and gives 'Cars 2' what heart it has, but the film spends most of its time on the spy plot, which is not terribly involving." — Chris Hewitt, St. Paul Pioneer Press

The Visuals
"Every frame is rendered so beautifully you wish you could pause it: the uncanny wetness of the ocean waves as Finn performs a daring oil-rig maneuver; the glowing lights of nighttime Paris; the sparkling sunshine on Corsica streets as cars zoom through; the gentle gray mists of London. (Note, though, that the 3-D effects are very subtle; my guess is that you wouldn't miss a thing by seeing this movie in 2-D.)" — Moira Macdonald, Seattle Times

The Missteps
"The tone and emphasis of 'Cars 2' veers off course from the start. Too many guns, for one thing. The whole thing is too weapons-dependent to be charming. There's plenty to watch here, and preteens who found the first 'Cars' a bit pokey won't have the same reaction to this frenetic, globe-trotting follow-up. But I got little pleasure from seeing these cars (plus boats, and a plane) thrown into the spy thriller genre. It's an intriguing story risk at best, a protracted stunt at worst. The greatest Pixar films have sampled, free-form, an unpredictable variety of moods and styles. Here the mash-ups refuse to jell, and even Michael Giacchino's score sounds like someone less talented than Michael Giacchino composed it." — Michael Phillips, Chicago Tribune

The Final Word
" 'Cars 2' is probably the slightest of Pixar's films — it sort of plays like an espionage-driven episode of the '60s 'Speed Racer' cartoon, only with the Mach 5 doing all the talking in a universe eerily devoid of humans. But if it's going to be diet Pixar, at least it's action-packed diet Pixar — with overwhelming, detail-choked production design that occasionally had my jaw lowering like a forklift." — Michael Russell, Oregonian

Check out everything we've got on "Cars 2."

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

Source: http://www.mtv.com/news/articles/1666419/cars-2-movie-reviews.jhtml

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Monday, 27 June 2011

Michael Jackson - Man In The Mirror

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'True Blood' Recap:Season 4, Episode 1

'True Blood' Recap:Season 4, Episode 1

Even for a show that has this many people on it, a great deal happened on this episode of True Blood. Most of it with crummy music. In Sookie's head, she spends about ten minutes in Faerielande. 

But once she determines that faeries are not what they seem and tries to get her Grandaddy "Gary Cole" Earl out of there and the whole place turns into Beirut and everybody starts looking like nasty elves and it's just a bad, bad scene. Claudine and her brother help them escape and Earl ages twenty years in one second, which puts him about 19 years after dead.

CLICK TO READ THE FULL RECAP

Source: http://www.ivillage.com/true-blood-recapseason-4-episode-1/1-a-360809

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Michael Jackson's 'Thriller': Story Behind The 'Glee' Cover

MJ classic is mashed up with the Yeah Yeah Yeahs' 'Heads Will Roll' for post-Super Bowl episode.
By Aly Semigran


"Glee"
Photo: FOX

Madonna, the Beatles, the Rolling Stones and now, finally, Michael Jackson. The cast of "Glee" has covered plenty of icons during their first two seasons, but it's taken 33 episodes to get around to the King of Pop.

With a huge catalog of Jackson songs, the singing, dancing students of McKinley High paid homage to the late singer with one of his biggest staples (and, arguably, the greatest music video of all time) with their take on "Thriller."

The groundbreaking single from Jackson's best-selling album of the same name was mashed up with the Yeah Yeah Yeahs' "Heads Will Roll" for the post-Super Bowl episode (titled "The Sue Sylvester Bowl Shuffle"), featuring a zombie-fied "Glee" cast.

Bound to become a smash all over again (though with its nonstop rotation at Halloween parties and wedding receptions until the end of time, it's never truly gone away), here's a brief history of the dance/pop classic.

Released on January 23, 1984, "Thriller" was the seventh, and final, single to be released from Jackson's smash record. According to the RIAA, the album (released by Epic Records) has gone gold 29 times, narrowly edging out the Eagles' Greatest Hits 1971-1975 for the title of best-selling album of all time.

In 2009, MTV News estimated that the Thriller album was poised to go triple diamond, meaning 30 million records sold in the U.S. alone.

After Thriller's other singles (including "Billie Jean," "Beat It" and "Wanna Be Startin' Something") dominated the charts, it was time for the spooky, undeniably original track to take over. The song "Thriller" also appeared on many of Jackson's other albums, including the compilations HIStory and Number Ones.

Clocking in at a little under six minutes (though the radio edit was closer to four-and-a-half), the song features pop-music mainstays like synthesizers but shakes things up with its spooky sound effects, including creaking floors, howling and thunder.

The song was produced by Quincy Jones and written and composed by Rod Tempterton and spent 14 weeks on the Billboard Hot 100, peaking at #4.

But it's the music video for "Thriller" that truly made it the phenomenon it was in the '80s and continues to be today. Less a music video than a mini-motion picture, the video (over 13 minutes long and directed by John Landis) won three MTV Video Music Awards and has been named the best music video of all time by many outlets, including VH1 for the special "VH1: 100 Greatest Videos."

The chiller features Jackson in that iconic red leather jacket on a date with his girlfriend (played by Ola Ray) before things go terribly awry. After all, as Jackson (whose disclaimer at the start of the video reads, "This film in no way endorses a belief in the occult") sings in the opening line, "It's close to midnight and something evil's lurking in the dark." Cue werewolves, zombies, Vincent Price's soliloquy and one of the most memorable dance sequences ever.

The video was (no pun intended) a monster hit. As the Los Angeles Times notes, "At the height of the song's popularity, MTV would run the 14-minute 'Thriller' video twice an hour."

Choreographed by Jackson and Michael Peters (who, as the LA Times also reported, appears in the video as one of the zombies) and with makeup by Oscar-winner Rick Baker (also an undead "Thriller" extra) was made with a huge budget of an estimated $500,000.

Still, the efforts paid off. Landis (who told the "Today" show back in 2009 that no one wanted to give them the funds to make the risky vid) made the accompanying 45-minute documentary about the venture, called "The Making of Thriller." Featuring the behind-the-scenes wizardry, as well as the music video in full, it would go on to move more than 10 million copies.

Since then, the signature song and video have seen their share fair of tributes in movies (notably in the 2004 comedy"13 Going on 30") and TV ("South Park," "Family Guy," "30 Rock," among others), not to mention the countless flash mobs that have gone viral. (Remember the prisoners in the Philippines who became overnight phenomenons on YouTube?)

Even with the "Glee" number, this likely won't be the last incarnation of "Thriller." Billboard reported in October that a "Thriller" film is in the works. With a plot allegedly revolving around Price's narration, Kenny Ortega, who directed Jackson's last effort, "This Is It," will reportedly helm the project.

Since Jackson's untimely passing on June 25, 2009, the song and video's legacy continue to live on. In the week following Jackson's death, "Thriller" was the best-selling track in the U.S., with sales of 167,000 copies on the Billboard Hot Digital Singles chart.

Then, in December 2009, "Thriller" was the first music video to ever be inducted into the National Film Registry by the Library of Congress. It seems "no mere mortal can resist ... the thriller" after all.

What did you think of the "Thriller" mash-up on "Glee"? Let us know in the comments!

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Michael Jackson's Legacy, Two Years Later, By the Numbers

Legendary singer's impact continues to blossom in the two years since his death; MTV News breaks down the figures.
By Gil Kaufman


Michael Jackson
Photo: Kevin Mazur/ WireImage

Like Elvis, Bob Marley, Notorious B.I.G. and Frank Sinatra before him, Michael Jackson's influence has continued, and grown, since his untimely death on June 25, 2009.

On the second anniversary of the King of Pop's passing, MTV News took a look at the enduring appeal of MJ's music, videos and imagery, which continue to fascinate and attract fans across the globe thanks to a series of posthumous albums, a movie, video games and two upcoming Cirque du Soleil live shows.

Where Were You Two Years Ago When You Heard the News? Tell Us on Facebook

$72 million: According to Box Office Mojo, Jackson's posthumous concert film, "This Is It," has grossed more than $72 million to date domestically and $189 million in foreign markets for a worldwide take over more than $261 million. It ranks as the #2 music documentary of all-time behind Justin Bieber's "Never Say Never." The film has also generated nearly $45 million in DVD sales in the U.S.

16: In May, Jackson lodged his first #1 on the Billboard magazine Dance/ Club Play Songs chart in 16 years with the latest single from his posthumous Michael album, "Hollywood Tonight."

2: Number of posthumous albums that have been released since Michael's death in June 2009. Last year's Michael has sold just over 510,000 copies to date, while the This Is It collection has moved nearly 1 million copies to date in the U.S., according to Nielsen SoundScan.

15,000: The number of videos submitted by fans since March for the crowdsourced video for "Behind the Mask." After they were edited down by a five-person team over two months, the resulting clip used submissions from more than 1,600 participants from 103 countries.

3 million: The amount of copies sold of the Ubisoft "Michael Jackson: The Experience" video game worldwide.

$57 million: The reported cost of Cirque du Soleil's traveling MJ show, "The Immortal World Tour, which is slated to kick off on October 2.

$1 billion: That gaudy figure is the reported amount the Jackson estate had generated by last June on the first anniversary of the singer's death. According to Billboard, the revenue was generated by a combination of music sales ($429 million), film/TV revenue ($392 million), music publishing ($130 million), licensing ($35 million) and a $31 million recording contract. (A spokesperson for Jackson's estate declined to provide updated figures for this story.)

$310 million: The amount of gross earnings reported by the executors of the estate in a December 2010 court filing detailing the progress made in paying off the $400 million in debt run up by the spendthrift singer during his lifetime.

16.1 million: MJ was always a big singles artist. Yes, Thriller is one of the best-selling albums of all time, but even in death, fans can't resist cherry-picking some of Michael's best songs. That explains why he's sold more than 16 million digital tracks since June 28, 2009, the first sales week following his passing, according to Nielsen SoundScan. To put that in perspective, from the time Nielsen began counting digital tracks in 2004 until the week before Jackson's death, the singer had sold just over 8.1 million digital tracks, a figure that has doubled in just the past two years.

2013: The projected launch for a second, non-touring Cirque show celebrating Jackson. The yet-untitled show is slated to open in the spring of 2013 at a new theater being built at the Mandalay Bay Resort & Casino in Las Vegas.

$25 million to $50 million: That's how much Jackson's estate takes in on an annual basis thanks to his stake in the half-million-song Sony/ATV catalog, which includes titles by Elvis, Lady Gaga, Eminem, Beyoncé and Bob Dylan.

Share your memories of Michael Jackson in the comments.

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